Film Stills from "Coast"

Studio - Installation View

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" Coast" (2007-2008) 6mins Video Loop Twin Projection.

WORK IN PROGRESS

"Coast" is a twin projection video installation, filmed in Slapton Devon, it uses experiential video of the site, accurate archive film and reclaimed samples of old feature films.

The work explores notions of place and is in part, influenced by Virilio’s texts on the often-unwanted reception of external media, which imposes itself on how landscape is consumed; this he expressed in the quintessential phrase ‘Hell of Images’ which he tries without success to rid his mind of when in the act of perception.

The work takes tentative steps to ask questions about ownership of archive and cultural memory, using factually and geographically correct archive material and found imagery, to explore rhythm and movement within a relationship that spans not just the site itself, but also a cultural and imaginative geographic space, where the viewer may exist from time to time.

Through the process of making this film I was interested in whether the viewer could experience this video as being anything more than a breaking down of form and structure.

The coastline of ‘South Hams’ Devon, and in particular Slapton Beach, where this video was filmed, had a very specific geo-history. During World War Two, thirteen villages were requisitioned and the area sealed off. D-Day landing rehearsals took place, huge loss of life was incurred, American troops buried hastily in a farmer’s field and the whole episode kept quiet.

This is a place where history is at its most relevant in understanding the geography of the site and vice verse.

The idea of how we consume space, how we understand a place where history is seemingly stuck to the underbelly interested me, I felt a need to expose some imaginative layers that I felt when I visited there, which for me are very much part of what I view as the real spatiality of place. The left hand projection is the sea, an insistent roll of the tide that continues, unchanged. The threat and power of the sea adds a tension and rhythm to the overall visual information. The Twin Projection is seen as a short impression, a flicker of time and tide colliding, shown in juxtaposition to the other, the sound positioned laterally to the viewing space.

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